![]() ![]() When the film later aired on television, Abend sued Stewart and the case reached the Supreme Court, which eventually ruled in favor of Abend and upheld the rights the new rightsholder in the work.įor Republic Pictures, this was an opportunity to reclaim control of its film. Abend, pitted a production company co-owned by James Stewart against a literary agent, heldon Abend, who purchased the rights to many movies and stories, including the rights to “It Had to Be Murder”, a story by Cornell Woolrich, which the film “Rear Window” was based upon.Ībend sued because aforementioned renewal clause was not just a tool to extend copyright but, in a move akin to copyright termination today, was an opportunity for creators to renegotiate contracts and terms based upon changes in the marketplace.Īfter he died, Woolrich’s estate renewed the copyright but did not renew the movie rights deal (despite Woolrich’s stated intentions of doing so), instead, it sold those rights to Abend for $650. In 1990, the Supreme Court ruled on a case involving different James Stewart film, the 1954 movie “Rear Window”. This is how the film was played for nearly 20 years and it could have stayed that way forever, if an unrelated copyright case had not changed the course of its history forever. It grew from an obscure 1940s film to a holiday classic and became a staple of many families’ holiday traditions. Though near-constant airplay, the film found something it hadn’t before, an audience. TV networks, eager for cheap holiday-oriented content, latched on to the film and began to play it during the holiday season. As a result, in 1974, the film lapsed into the public domain.īut it was in the public domain that the film saw a revival. However, regardless of whether Republic forgot or simply didn’t feel the film was worth renewing, that renewal was not filed. Under copyright law at the time, a work was protected for 28 years but that copyright protection could trivially be extended for another 28 by paying a small fee and filing a form with the U.S. The film, in its time, was largely forgotten and that includes the original copyright holders in the film, Republic Pictures. The film, despite being headlined by James Stewart, one of the biggest actors at the time, was not a commercial success. “It’s a Wonderful Life” debuted in 1946 and was based on a short story, “The Greatest Gift”, which was written by Phillip Van Doren Stern in 1939. From Copyright Failure, to Public Domain Success It’s one of the most bizarre tails in copyright history and one that has changed the way families all over the world celebrate the holidays. That’s because the copyright in the film has a story very much akin to George Bailey’s, one of birth, death, finding success and then being allowed to live again. ![]() ![]() Where it once seemed to be on a constant loop during December, it’s now only shown a few times per year. However, many have noted that the once-constant playing of the film has slowed to a trickle. It’s a film and a message that many, myself included, grew up with and something that was a near-constant presence during the holiday season. Directed by Frank Capras, it’s the timeless tale of a man named George Bailey, played by James Stewart, who hits rock bottom on Christmas Eve and is granted, by his guardian angel, a chance to see what life for his friends and family would be like if he had never been born.Īt the end of the film, Bailey chooses to live again and races home to a happy ending that is one of the best-known scenes in all of film history. “It’s a Wonderful Life” is one of the great holiday classics. ![]()
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